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Wednesday, September 9, 2015

Natalie Portman rediscovers roots Actress’s directoral debut is bittersweet as she returns to Israeli soil

Natalie Portman in the adaptation of the novel A Tale of Love and Darkness.
Oscar-winning actress Natalie Portman made her directorial debut with a film sympathetic to the Holocaust-haunted refugees who founded her native Israel, but she bristles at the idea that the portrayal might be patriotic.
Instead, she considers A Tale of Love and Darkness, her screen adaptation of Israeli novelist Amos Oz’s grimy, erotic and bittersweet work, a meditation on the shortfalls of national ideals in a land riven by the Palestinians’ rival claims.
Asked during the drama’s commercial premiere in Jerusalem last week if the project was meant to be pro-Israeli, Portman said: “Absolutely not... I actually find it surprising to hear it described as a patriotic film because, for me, much of it has to do with the disappointment of the dream.”
She said she sought to convey, as the dovish Oz argued, that Israel’s early self-image as “utopia for a land of orphans who came out of the Holocaust [was] maybe blind to some of the realities on the ground and here we are this many decades later”.
The Hebrew language film, in which Portman also stars as Oz’s suicidal mother, focuses on Jewish hardship in a Jerusalem besieged by Arab forces in the 1948 war of Israel’s founding. It also touches on the resulting dispossession of Palestinians.
Though Portman waived payment, the film’s slim $4.2 million budget drew on support from the rightist Israeli government, which is keen to promote the country’s locations for foreign productions and push back against pro-Palestinian boycott calls.
Portman took these into account in planning the shoots which, she said, were all on Israeli land and avoided West Bank and East Jerusalem territory occupied in the 1967 war, where world powers would like to see a Palestinian state set up.
Critical reception for A Tale of Love and Darkness has been mixed, suggesting limited international reach. Trade publication Variety called it a “drearily empathetic” film that would rely on Portman’s star power to market. Britain’s Guardian called it “a serious, well-made adaptation” of Oz's book.
In May, The Hollywood Reporter quoted Portman as saying she was “very much against” Israeli Prime Minister Benjamin Netanyahu. He had been re-elected two months earlier after rallying his constituents by warning of the left wing clout of the country’s Arab voters – remarks she condemned as “horrific”.
Last Thursday, Portman, who was born in Jerusalem and moved to the US at age three, was more guarded on Israeli affairs.
“I do obviously love this country and I am also quite critical of it, as I think every engaged citizen should be,” she said. “I believe in this country and I believe in the people – that it can be the best version of itself.”
Portman, 34, said A Tale of Love and Darkness had offered her a form of completion, in requiring that she reclaim her forgotten Hebrew.
“It was very meaningful for me,” she said. “It’s weird when your first language, and maybe the language of your emotions, of your childhood, is sort of missing.”

The Weeknd, Fetty Wap Crowned Artists Of The Summer By YouTube, Google Trends, And Google Play Data

Fetty-Wap-The-Weeknd-Google-YouTube-Summer-2015

Google has new info on what internet users enjoyed listening to over the summer of 2015. The internet giant tracked users’ search data on YouTubeGoogle Trends, and Google Play from Memorial Day (May 25) to Labor Day (September 7) 2015 to compile this summer’s top ten trending artists and streaming songs. Across these three sites, Canadian singer-songwriterThe Weeknd and rapper Fetty Wap collectively snagged nine out of the top 30 spots.
On YouTube, Google counted video views from both the official music videos from artists as well as fan versions claimed by the artists. With this in mind, Fetty Wap landed at #2 with “Trap Queen” (just behind Silento’s “Watch Me (Whip/Nae Nae)”). Wap’s song also landed the rapper the #1 most-searched artist spot in Google Trends for the past few months, and the track was the second most-streamed song of summer 2015 on Google Play. Wap finished up in tenth place on YouTube with “My Way.”
The Weeknd fared well for himself over the summer, too. His track “The Hills” was #6 on YouTube’s top-streamed songs, as well as #4 on Google Trends’ top artist searches for summer 2015. The Weeknd particularly dominated Google Play’s streaming selections. The artist landed at #3 for the “Earned It” song from the official Fifty Shades of Grey soundtrack. The Weekend also took the ninth and tenth spots on Google Play for “Can’t Feel My Face” and “The Hills,” respectively.
You can check out the top ten most-streamed summer songs on YouTube.  And check out the charts below for the official list of top music artists on Google Trends and the top streamed songs on Google Play from Memorial Day to Labor Day 2015: